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9 Indespensable Ingredients to Writing a Hit

9 Indespensable Ingredients to Writing a Hit
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Code: BK9S
Price:$22.95

 
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Movie, TV Show, Play or Novel No WRITER, STAR, DIRECTOR or PRODUCER can afford to be unaware of the 9 Secrets that finally explain why people go to one movie and not another... PLUS: The most thorough financial box office analysis ever that proves the 9 Secrets are always present in the hits and missing from the failures.

Tom Laughlin's 9 Secrets to Writing a Hit Movie, TV Show, Play or Novel

  • WHAT IF: there really was a way to know - in advance - the box office success of a film?
  • WHAT IF: someone made box office predictions on a summer's worth of films - in writing - and was almost 100% correct ? (WITHOUT READING A SCRIPT!!)
  • WHAT IF: there was a book for anyone going to produce, direct, invest, green-light or write a picture could radically increase the possibility of commercial success?
    The 5 Reasons The 9 Secrets is the Most Fundamentally Unique Book on Writing Yet:

 

REASON #1: The Only Book Written by a Box Office Record Breaking Screenwriter/Filmmaker

Often called the Godfather of the independent film movement, Tom Laughlin is the only writer/filmmaker to write a book on the art of writing that has actually written screenplays that became hit films. Mr. Laughlin wrote three films each of which broke three all-time box office records in a row. Except for the very gifted William Goldman and his excellent book about screen writing, Adventures in the Screen Trade, virtually none of the self appointed "master teachers" writing books on screen writing have ever sold a screenplay, had one produced, or written a script that became a box office success. But unlike Goldman who is limited to being a writer, this is the first book on writing by someone who is both a writer and a complete filmmaker with a lifetime of hands-on expertise in every single phase of the filmmaking process that no one else in the film business has ever achieved. Along with his wife and lifelong partner, Delores Taylor, the Laughlins actually did what other filmmakers only dream about, they learned how to make hit pictures not only by writing their own screenplays, but producing, directing, starring, and editing them, as well as controlling all the marketing of them, including creating and writing the copy for all the advertising -- learning the hard way what makes a hit picture, what causes people to flock to one picture and stay away in droves from another, even though it has in it the biggest stars and director in the world.

REASON #2: The Only Book Ever Written to Provide Overwhelming Financial Proof that Only the 9 Secrets Create a Hit

And there's more that makes this book on writing truly unique. To prove that these nine secrets are not just some writers or "wannabe" writers unproven theory or opinion, but that these are the actual ingredients that must be in every hit movie, TV show, play, or novel, Laughlin and his writing partner Robin Hutton present in this book the overwhelming proof that it is these nine secrets, and these nine secrets alone, not stars not mega- budgets, not big directors, not blow up the world action or sex -- that create a hit. How do they prove that? By showing that -- without exception -- these nine secrets are always present in the hits and always absent in the failures, and then by predicting the actual grosses of films before they released by the number of these nine secrets they have in them, or failed to have in them. First they analyzed all of the box office grosses of all the films produced by the major studios in the 1990s -- and you will be astonished -- literally astonished -- at what you see. 93% of the 3,331 films made in the 1990's with stars in them were not able to gross a mere $20 million in U.S. rentals -- and only 14% earned $400,000 in rentals. (Page 220) Then they analyzed the box office grosses of major stars -- which will also amaze you. How could mega stars go from $300 million in one picture to only $2 million in their next picture? (Page 223) In addition, all of the all-time box office champions were analyzed, and all of them -- without exception -- contained at least six to nine of the secrets. (Page 178) Lastly, to obliterate any possibility that these nine secrets are nothing more than theory , they predicted in advance -- in writing -- to the heads of major studios, before the pictures even opened, not only which pictures would-be hits and which would be failures, but the actual grosses of the pictures -- something no one else has ever been able to do before or since. (See page 24 for predictions).

REASON #3: An Additional Proof: A Unique Interviewing Technique to Find Out What People Really Want in a Movie – Why They Flock to One Picture and Stay Away from Another.

Realizing years ago that all the market research done in the film business, as well as in television and the publishing business was virtually worthless, Mr. Laughlin combined his filmmaking expertise with his knowledge of psychology and developed a radically new, fundamentally different method of interviewing people for market research to find out -- in depth -- what people really thought and felt about movies, TV shows, the books they read etc.. Using the results of this research, the Laughlin's first proved its reliability by forever changing the way films are distributed (see page 5). Then they interviewed over 5,000 people all across the country in every demographic group to learn why they flock to one movie and stay away from another even though it has in it the biggest stars and budget in the world. They discovered that there are nine specific reasons people go to one movie and not another, watch one TV show or play and not another, buy one novel and not another. The nine reasons they discovered are the nine secrets presented in this book.

REASON #4: The Only Book on Screenwriting Written by an Expert in Both Filmmaking and Psychology

In addition, Mr. Laughlin is the only one writing a book on the art of writing that combines proven box office writing and filmmaking expertise with an expertise in psychology, Mr. Laughlin's second vocation. Tom Laughlin lectures and teaches psychology and psychiatry at major universities around the country, from Yale to Stanford, from the University of Colorado to the University of Cincinnati's School of Medicine and Department of Psychiatry. ( Among Mr. Laughlin's books on psychology is a book on a breakthrough treatment for cancer patients and how they can more successfully treat their disease, or how one can prevent getting a cancer, especially if one has a family history of cancer. See 6 Secret Factors of Cancer on home page.) The result of combining all of this filmmaking and psychological expertise with the most powerful interviewing technique yet developed and the most detailed and complete financial analysis of the U.S. box office yet done?

REASON #5: Forever Changed the Way Films are Distributed

"The financial section of this book is worth the price alone!!"

Theories are great - until they're put to the acid tests of demonstration and repeatability. In order to verify the theory of the 9 secrets, a meticulous and detailed financial analysis unlike any before has retraced the box office history of hits and flops, small films and large, no stars and the biggest stars. The analysis will stun even the most sophisticated Hollywood insider. Just this section is a must-read all on its own.

Quite simply, the best book on writing yet written. Whether you are writing a screenplay, a novel, a TV show, or play, the writing principles spelled out in this book are absolutely certain to work. As this book proves beyond any shadow of a doubt, the nine secrets contained in this book have been proven to be indispensable in writing a hit film, TV show, play, or best-selling novel.

 

"The financial section of this book is worth the price alone!! I have been in the business for years and I have NEVER seen numbers analyzed like this. Absolutely incredible!."
- Roger Vacklan, NY

PLEASE ALLOW 7 to 14 Business days for delivery. Thank you!